Combustion Collective

Collaboratively redefining how we create theatre.

Combustion Collective is an interdisciplinary theater company with a focus on HOW we create new work.

Collective members are interested in the “spaces in between” traditional genres, and make our work through both conventional means and devised practices. We produce projects that truly showcase all of our collaborating artists’ talents, and that push the boundaries of how dance, music and text can come together to make art.

As a Collective, we not only develop new works with the company, but work together to create unique programming that encourages artistic exploration, accelerates new work development, and addresses the challenges our collective members have experienced while creating new work.

Panel discussion

Who We Are

Avital Asuleen

Avital Asuleen

Artistic Director

Avital Asuleen is a Brooklyn-based director, choreographer, performer, and educator. She holds an MA in Comparative History and BA’s in Theatre and History from Brandeis University. She is the founder and producer of The Choreography Lab at The New York Theatre Barn. Additional arts administration experience includes serving as the Development Manager for EMIT Theatre, the Development Associate for Prospect Theatre Company (NYC), the Volunteer Coordinator of The Dance Complex (Cambridge, MA).  While her background and the bulk of her professional career has been in traditional musical theatre, she has always had a passion for devising her own work, and bringing new stories to life. She is the co-creator of the immersive dance piece Ephemera, and is currently creating The Floorshow.

Dann Berg

Collective Member

Dann Berg is a playwright based in New York City. His play “Diary: A One Act Play” was part of Manhattan Repertory Theatre’s Spring One Act Competition in 2015. A former freelance journalist, his writing has appeared on MSNBC, Fox News, The Verge, Mashable, Laptop Magazine, and Tom’s Guide. Dann attended Hofstra University, studying Creative Writing with a concentration in Playwriting. He lives in Brooklyn and works on the engineering team at Datadog, an infrastructure monitoring and analytics company.

Alyssa Fuhrman

Collective Member

Some of Alyssa’s favorite performing highlights include dancing on Good Morning America, Live! with Kelly and Michael, and a live televised event in Shanghai, sailing through the Caribbean dancing with Carnival Cruise Lines, performing in paradise on the island of Guam, and singing at Carnegie Hall, as well as working with such notable choreographers as Derek Mitchell, Sidra Bell, Mike Esperanza, Ashle Dawson, and JT Horenstein. She loves every aspect of performing, especially making meaningful connections with audience members and spurring further dialogue long after the curtain has closed. She is super excited to collaborate with the other members of Combustion Collective to create new and exciting pieces of art.

Catherine Murcek

Collective Member

Catherine “Cat” Murcek is a New York City-based dance artist, certified Yoga Therapist, and solidarity economy enthusiast. She strongly believes in the power of movement for healing the individual and the power of movements for healing society. As a performer she currently works collaboratively with Sanctuary Project Collective in multi-disciplinary performance pieces and with Chocolate Dances LLC in interactive chocolate tasting dance theatre. In addition to teaching therapeutic classes at Yoga Union and Align Brooklyn, Cat is also a worker owner at Samamkaya Yoga Back Care & Scoliosis Collective and is a volunteer organizer of gatherings for other worker owners in NYC. She hopes to create a positive impact through sharing the joy of movement, guiding others through healing, and through promoting democracy in the workplace.

Christopher Noffke

Collective Member

Christopher Noffke is an award winning Choreographer/Director/Teacher, originally from Indianapolis, but now resides in NYC! He is currently a Creative Consultant for NY Theatre Barn’s The Choreography Lab and on staff with Man In Motion! He has been honored by DCMetroTheatreArts for Best Choreography for The Wedding Singer, Best Choreography for Gypsy and Best Director for It’s A Wonderful Life: A Live Radio Play, at Riverside Center for the Performing Arts. Other Director/Choreographer credits include Warp Speed: A Sci Fi Musical Parody (MITF-NYC Premier and winner of Best Direction/Choreography awards), White Christmas, Footloose, Chicago, Dreamgirls and Hello,Dolly (starring Sally Struthers) at Riverside Center for the Performing Arts, BARE (York Theatre), Andrew Lippa’s The Wild Party (Secret Theatre, LIC) Jerry Springer Show (TV), and The Choreographer’s Canvas (NYC). Summer of 18’ he will choreograph his third production of Dames At Sea in Boston.

Courtney Laine Self

Collective Member

Courtney Laine Self is a gender-fluid director/choreographer/theatremaker. The past two years, she co-created/directed/choreographed two full-length new works, Making Bookjacket and RePeaT, through 92nd St. Y’s Music Theatre Development Lab. She finished a 6-month lab with Everyday Inferno Theatre Company, attended Director’s Lab West in LA and Director’s Lab North in Toronto, and directed/choreographed the regional premiere of Fun Home at Millbrook Playhouse. She directed/choreographed 9 To 5 for The Hartt School this winter and Associate Directed Oliver at Goodspeed Opera House early this summer. Up next, she’s directing The Ferberizing of Coral for the Samuel French Off-Off Broadway Play Festival, directing the world premiere of Sheila and Moby for Flying V Theatre Company in DC, and choreographing a short musical film for the New York Film Academy. Previously, she was the Head of Dance for the BFA in Music Theatre and a professor of theatre and movement at Southern Illinois University.  MFA: Directing, Southern Illinois Univ., BFA: Music Theatre, The Hartt School. @courtneymyself (Tw) @courtneylaineself (Inst)

Brian Veith

Collective Member

Originally from California, Brian has now been in New York for over 10 years as an actor, singer and dancer as well experimenting with associate director/choreographer work. He has worked at theatres like Gateway Playhouse, Alabama Shakespeare Festival, Moonlight Amphitheatre and the John W Engeman Theatre. He loves the power of stories- how an audience can have a shared experience that effects each one of then in a different and a personal way. He hopes to continue to perform and help shape stories that kindly hold a mirror up to society to encourage us do better and offer the world a little more love and grace, including to one’s self.

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